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The first edition of the novel was published inand was written by John Fowles. The book was published in multiple languages including English, consists of pages and is available in Paperback format. The main characters of this fiction, classics story are Frederick Clegg, Miranda Grey. The book has been awarded withand many others. Please note that the tricks or techniques listed in this pdf /44333.txt either fictional or claimed to work by its creator.

We do not guarantee that these techniques the collector john fowles book review free download work for you. Some of the techniques listed in The Collector may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them.

DMCA and Copyright : The book is not hosted on our servers, to remove the file please contact the source url. If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed.

Loved each and every part of this book. I will definitely recommend this book to fiction, classics lovers. Your Rating:. Your Comment:. Read Online Download. Great book, The Collector pdf is enough to the collector john fowles book review free download the goose bumps alone.

Add a review Your Rating: Your Comment:. Mantissa by John Fowles. The Ebony Tower by John Fowles. La donna del tenente francese by John Fowles. A Maggot by John Fowles. The Rent Collector by Camron Wright.

 
 

The collector john fowles book review free download

 
Click Here=> <= [KINDLE] READ The Collector By John Fowles Read books on pc Review Supporting format: PDF, EPUB. Mar 20, - Title: The Collector Author: John Fowles Genre: Psychological Thriller Publisher: Vintage Classics; New Edition. He buys a secluded country house and, when all preparations have been made, kidnaps Miranda from outside her apartment in London. The body of the novel concerns.  

Book Review: ‘The Collector’ by John Fowles | John fowles, Vintage classics, The collector

 

Also Miranda’s conflicted feelings over Fredrick and her slow breakdown from living confined and alone. I originally read this book because I was listening to last podcast on the left which I recommend to anyone who likes cults or serial killers but isn’t sensitive to jokes that may be considered offensive and they mention Leonard Lake being obsessed with the book.

I checked and there are multiple murders associated with the book and so I just wanted to see what about this book was causing all these people to feel like yes killing is great. Anyways the only thing I can come up with is that since the book was published in the s there wasn’t as much about sadistic killers or people doing crimes like these out there so it appealed to them and Fowles does such a good job capturing a certain kind of personality in Fredrick that people really identified with it.

It also gave them a good model of how to escalate to the point of doing things like kidnapping and murdering because really in the book Fredrick just starts off by dreaming about it and it goes from there.

That’s all I’ve got because view spoiler [ Fredrick never really hurts Miranda or forces her to do anything especially at first, he kind of just likes having her hide spoiler ] so I’m not sure why that would inspire Leonard Lake to want a slave that he can use for sex and to take care of the house? The author in interviews said that the book is about social class and money and I do see that much more clearly in the book than any message about how its a good idea to kidnap women.

I’m not sure how much I agree with the social commentary though probably because it has been decades since the book has been written.

I do understand the point that money and idle time given to people can lead to them doing things they might not have otherwise but I don’t think the class or money is the problem so much as the person themselves. View all 17 comments. Nov 30, Paul Bryant rated it really liked it Shelves: novels. This is one of those boy meets girl, chloroforms her, throws her in the back of the van and stuffs her in his basement type stories. Fred is the sweetest psycho ever! The kindest and most attentive!

No slurping and grunting at all! This is a brilliant stroke by John Fowles and really messes with your mind. As does the whole book. After that things just go badly. View all 12 comments. Aug 09, Dana Ilie rated it it was amazing Shelves: classic-literature. I definitely think Book Readers should have this book on their shelf.

It’s been hard for me to focus lately — gee, I wonder why? Over the past month, I’ve begun several books, lost interest, shelved them. Instead, I find myself studying grim news items and statistics, scrolling through memes on social media, staring blankly out my window onto empty streets and watching old black and white movies or TV shows I’ve missed over the past decade.

All while trying to work from home while I still have a job. Then I came across this book. I knew vaguely what it was about, having long ago seen the acclaimed movie adaptation starring Terence Stamp and Samantha Eggar.

About 50 pages in, I realized it was the perfect book to read in semi quarantine. Ferdinand, a. Frederick, Clegg is a nondescript something clerk in London who collects butterflies and has one other obsession: Miranda, a young, attractive art student he’s seen and stalked.

When he wins the pools the UK equivalent of the lottery , he decides to abduct Miranda and keep her in the house he’s bought in the country, complete with highly secure cellar, which he’s outfitted for the newest item in his collection. That’s essentially the story. Miranda tries to escape, of course, and Ferdinand tries to stop her. She requests items from town, including some things that could perhaps hint that she’s that missing girl from the art college.

Above all, she tries to find out what Ferdinand wants from her. What’s so fascinating about John Fowles’s first novel is that it has the outline of a thriller but it’s really so much more. While the first part of the book is told from Ferdinand’s POV — Fowles is very good at getting inside the twisted mind of what we might call an “incel” today — the second switches to Miranda’s POV, and it’s here that the book gets really interesting.

Miranda keeps a secret diary, and through her accounts of her time in the cellar we see different takes on scenes we’ve already witnessed. Plus, she’s got obsessions of her own, including a much older semi-famous artist. While it’s easy to have sympathy for her in the first part — she’s clearly a victim — things get more complicated when we read her thoughts about class, education, physical beauty and art in the second.

What makes this such an effective quarantine novel is how isolated and trapped Miranda feels, removed from her friends, her family, her home. She longs to breathe fresh air, look up into the sky. She misses even the simplest, most banal activities. Through her diary, you can also see how her entrapment has changed her feelings about life, art and freedom.

There are lots of literary references — to The Tempest , of course, with Miranda referring to Clegg as her Caliban — and Emma , but also to more contemporary books about other anti-social characters like The Catcher in the Rye and Saturday Night and Sunday Morning. The discussions about art are thoughtful and engaging. This novel must have made a huge splash when it appeared in the s, decades before such fiction became a subgenre.

Based on this, I’m definitely going to seek out — and perhaps, um, collect — some of his other novels. View all 33 comments. Impotent sociopath kidnaps beautiful art student. Told partly from the sociopath’s perspective. That’s my jam! I should have loved this book!

But something left me cold. I suppose it may have been all the bitching and complaining the beautiful art student did in her stupid diary. What a helpless twit!

Not to imply that I’d be brave and cunning or anything In fact, I’m pretty sure I’d be a helpless twit as well. But I’ll be goddamned if I’d expect anyone to enjoy readi Impotent sociopath kidnaps beautiful art student. But I’ll be goddamned if I’d expect anyone to enjoy reading the daily chronicles of what a helpless twit I’d been.

The ending really made me smile, though. The creepy ending made it all worthwhile. Crazy fucker. View all 25 comments. So much for starting the year with a literary bang.

This novel made me feel like a dud firework. I didn’t find it chilling or claustrophobic. Not once was I creeped out. It did however leave me feeling rather sad, after the glum ending. What I could really do without right now. As soon as the narrative went from the perspective of the possessive kidnapper to the diary entries of the young woman held captive, I was starting to lose interest.

Alright, to start off with anyway, I liked reading of h So much for starting the year with a literary bang. Alright, to start off with anyway, I liked reading of her attempts to outwit him and get away, but it just wore off eventually.

It may be a case of a decent book that I just happened to read at the wrong time, I don’t know. I could think of only a few scenes between Sarah Woodruff and Charles Smithson in The French Lieutenant’s Woman that did more for me than the whole of this novel did. I was going for three stars, but considering I really struggled to finish it, it’s more likely somewhere around two I’m afraid. As a first novel the writing was pretty good, and that is about all the positives I can give it.

I felt nothing for Frederick. Didn’t feel pity for him. Of course I felt sorrow for Miranda. Poor girl. So, not a great reading experience at all for me. I can’t say that I’m that interested in butterflies, but I would rather this had actually been about some nice lovely butterflies, and not feeling locked up. I’ve had enough of that already!

View all 22 comments. Jan 25, Fabian rated it really liked it. This novel is over fifty years old! Though its semi predictable, the end is nonetheless terribly terrific.

That there are two strands of narrative is sometimes a revelation, sometimes an encumbrance like living through a terrible ordeal not once but twice! Both psych This novel is over fifty years old! View 2 comments. Thought by some to be the first psychological thriller, this book left me slightly wanting. The Collector is broken into three parts. The first part is from Clegg’s point of view. Clegg is a man obsessed with a young woman and decides to “collect” her, much as he collects butterflies.

The second part is from the woman’s point of view, once she’s been “collected”. This was the part that I found unsatisfying. There were some observations in this section about class, money and society wh 3. There were some observations in this section about class, money and society which probably were more pertinent in the 60’s, which is when this book was written , than they are now.

I found this portion slowed down the pacing considerably. The third part goes back to Clegg’s point of view. Clegg is where this book lives.

The peeks inside his mind, while presented as normal thoughts on his part, are truly chilling to us readers who are sane. I shivered to read some of the things he was thinking. These psychological tics and the detached way in which they were presented were what made this book great.

You can see how I’m torn here between being unsatisfied, while at the same time finding some portions of The Collector to be outstanding. To today’s jaded horror readers? This might not be the book for you. But to fans of stories like Silence of the Lambs, or even Red Dragon, I think this book will appeal, even though some of the themes are a bit outdated. It’s to them that I recommend The Collector.

View all 23 comments. Oct 19, Bonnie rated it it was amazing Shelves: full-of-wonderful , owned-ebook , eek-the-creepies. He wants me living-but-dead. He makes preparations by buying a house out in the country, purchasing assorted objects and things he knows she will need, convinced that if he can only capture her and keep her that she will slowly grow to love him. The first part of the novel was told from Frederick’s point of view and it was rather alarming at his thought process.

In his mind, there is nothing morally wrong with what he intends to do and what he actually ends up doing. She writes about G. To Miranda, G. At first I had a hard time determining the relevancy of these recollections, but it essentially just became another disturbing piece of the story to see how influential G.

Always sneering at him, jabbing him, hating him and showing it. But linked destiny. Like being shipwrecked on an island—a raft—together. In every way not wanting to be together. But together. Suffice it to say, it gave me goosebumps. It was not the ending I had anticipated, but I still felt that the author was successful in creating the everlasting effect I believe he intended.

View all 48 comments. Jun 25, Lisa rated it it was amazing Shelves: books-to-read-before-you-die. And I answered: “It is not about that at all, and it is one of the most suspenseful and scary novels I ever read! One just rarely thinks of the fact that you kill them and pierce them with a needle to be able to look at “Oh”, said a friend, taking this novel off my shelf.

One just rarely thinks of the fact that you kill them and pierce them with a needle to be able to look at their beautiful wings at your leisure instead of chasing after them flying free. So the cover and title say it all, just not straightforward. I guess this book made me a strong supporter of butterflies’ right to fly View all 9 comments.

May 30, Michael rated it it was amazing Shelves: unreliable-narrator. One of the first dark psychological thrillers–at least in modern times though depending on how you categorize them, James or Poe or even some of the ancient Greeks might usefully be described this way, too. A tale of obsession and art and butterflies–need I say more?

Wonderful for those who take their fiction black. What’s especially interesting here is the sheer banality of Frederick’s evil. He kidnaps Miranda, then doesn’t really know what to do or how to relate to her as an actual person One of the first dark psychological thrillers–at least in modern times though depending on how you categorize them, James or Poe or even some of the ancient Greeks might usefully be described this way, too.

He kidnaps Miranda, then doesn’t really know what to do or how to relate to her as an actual person instead of as an object. View all 7 comments. Dec 19, Peter rated it really liked it. That was quite an interesting piece of fiction. A collector of butterflies is obsessed with a girl and finally kidnaps her when he comes to a fortune.

She desperately tries to escape her remote prison and the relationsship between those completely different characters is shown in an impressive way. There is a kind of narration by the male character and one of the female character, the victim, in form of a diary. I won’t spoil the ending but this read was quite captivating.

They characters in his That was quite an interesting piece of fiction. They characters in his novel come from different walks of life and the sub-plot is exactly about society and Caliban like characters. Many allusions to art and literature delight the well read reader. I’ve never read any novel like this before. Clearly recommended! View all 4 comments. Jul 04, J. Other reviewers have said what I would say about The Collector. It’s haunting, disturbing, and impossible to forget once you’ve finished.

While not a typical “horror” story, it is one that probably occurs more often in the real world than not, and the person s involved could be a distant relative, a sibling, a son or a daughter. Allow me to state right now that it’s not an easy read. As someone who derives enjoyment from books of this nature, I was determined to remain objective from the onset.

I wanted Frederick to earn my disdain, just as I wanted Miranda to garner my sympathy and support. Little did I know just how masterfully John Fowles would pen the book. Written in four sections, you are given Frederick’s POV, then Miranda’s via her diary , and finally two final portions of which the last seems like an epilogue. The format doesn’t seem to be all that special, but in truth, it is what makes The Collector so powerful — your emotions, quite literally, are used against you.

Frederick is a gentle — yet, due to his fears and compulsions, dangerous — man. In the beginning, you want to understand his desire to earn Miranda’s “love. Even more tragic is that as much as you dislike Miranda I’m ashamed to confess this, but almost the entire portion written from Frederik’s POV I didn’t care for her when it’s her turn to speak, you are presented an entirely different picture — of a girl with hopes, dreams, and the realization that the choices that were of such importance in her life — namely her inability to choose to reveal her love for another man, as well as her faith in God — are made all the more heartbreaking in light of the predicament in which she finds herself.

Of course, when you delve into the third and fourth parts, it’s just devastating. It’s disturbing in a multitude of ways, but it’s the ending that drives the final nail in the coffin no pun intended. Suffice it to say, those last few words gave me chills and even now I can’t stop thinking about them. Feb 22, F rated it it was amazing Shelves: uk , Loved – so creepy!

View all 3 comments. A great pal of mine, who shall remain nameless, is a collector. Truly and obsessively one. His house is filled from floor to ceiling with records and CDs and other bric a brac.

It’s a very large, sprawling ranch with a half floor up as well as a basement. It should be a spacious and roomy abode, but when you walk in there it’s like squeezing through the Fat Man’s misery section of Mammoth Cave – you have to turn sideways to get through. He shares this space with a half dozen cats. It’s filthy. R A great pal of mine, who shall remain nameless, is a collector. Reading this, I wondered too if he might have a lady squirreled away in the basement, but dismissed this notion.

There is simply no room down there to do any such thing, every inch is piled with stuff. He compares himself to the Collyer brothers see Wikipedia , whose obsession with collecting proved fatal. And so it is in Fowles’ “The Collector,” but how that is so constitutes a spoiler. There were no spoilers in it for me, as I’d seen the William Wyler film for the first time in the early ’70s on TV, and I think what caught my eye and kept my interest then was lovely Samantha Eggar, as Miranda, a role in which she was well cast.

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It was another large cellar, four big steps down from the first one, but this time with a lower roof and a bit arched, like the rooms you see underneath churches sometimes. The steps came down diagonally in one corner so the room ran away, so to speak. Just the thing for orgies, he said. What was it for? I asked, ignoring his silly facetiousness.

He said they thought it might be because the cottage was so on its own. Or it might have been a secret Roman Catholic chapel. Well, we went back upstairs and out. It was two worlds. He looked at his watch. Very interested. I really surprised myself. Because before I always wanted something up to date, what they call contemporary.

Not an old place stuck away. He stood there looking all gormless, surprised that I was so interested, surprised I had money, I suppose, like most of them. He went away back to Lewes then. He had to fetch someone else interested, so I said I would stay in the garden and think things over before a final decision. It was a nice garden, it runs back to a field which had lucerne then, lovely stuff for butterflies.

The field goes up to a hill that is north. East there are woods on both sides of the road running up from the valley towards Lewes. West there are fields. There is a farmhouse about three-quarters of a mile away down the hill, the nearest house. South you have a fine view, except it was blocked by the front hedge and some trees. Also a good garage. I went back to the house and got the key out and went down into the cellars again. The inner one must have been five or six feet under the earth.

It was a bit frightening, but I am not the superstitious type. Some might say I was lucky to find the place first go, however I would have found somewhere else sooner or later.

I had the money. I had the will. But I would like to see Crutchley organize what I organized last 5 summer and carry it through. I am not going to blow my own trumpet, but it was no small thing.

When Miranda became the purpose of my life I should say I was at least as good as the next man, as it turned out. I had to give five hundred more than they asked in the advert, others were after it, everyone fleeced me. The surveyor, the builder, the decorators, the furniture people in Lewes I got to furnish it.

I got long letters from Aunt Annie, which I wrote back to, giving her figures half what I really paid. I got the electricians to run a power cable down to the cellar, and the plumbers water and a sink. I made out I wanted to do carpentry and photography and that would be my workroom. Nothing nasty. Just couples. At the end of August, the men moved out and I moved in. To begin with, I felt like in a dream. But that soon wore off.

Then the vicar from the village came and I had to be rude with him. I said I wanted to be left alone, I was Nonconformist, I wanted nothing to do with the village, and he went off la-di-da in a huff.

Then there were several people with van-shops and I had to put them off. I said I bought all my goods in Lewes. I had the telephone disconnected, too. I soon got in the habit of locking the front gate, it was only a grille, but had a lock. Once or twice I saw tradesmen look-ing through, but people soon seemed to get the point. I was left alone, and could get on with my work. I worked for a month or more getting my plans ready. I was alone all the time; not having any real friends was lucky.

After I got it dried out I put several layers of insulating felt and then a nice bright orange carpet cheerful fitting the walls which were whitewashed. I got in a bed and a chest of drawers. Table, armchair, etcetera. I got other things, cases and a lot of art books and some novels to make it look homely, which it finally did. One problem of course was doors and noise.

There was a good old oak frame in the door through to her room but no door, so I had to make one to fit, and that was my hardest job. It weighed a ton and it was no joke getting it hung, but I did it. I fixed ten-inch bolts outside. Then I did something very clever. I made what looked like a bookcase, only for tools and things, out of some old wood and fitted it with wooden latches in the doorway, so that if you gave a casual look it just seemed that it was just an old recess fitted up with shelves.

You lifted it out and there was the door through. It also stopped any noise getting out. Also a burglar alarm. Only a simple one, for the night. What I did in the first cellar was I put in a small cooker and all the other facilities. It was nearly ideal. All this time I never thought it was serious. I know that must sound very strange, but it was so. In my opinion a lot of people who may seem happy now would do what I did or similar things if they had the money and the time.

Power corrupts, a teacher I had always said. And Money is Power. Another thing I did, I bought a lot of clothes for her at a store in London. What I did was, in one I saw an assistant just her size and I gave the colours I always saw Miranda wear and I got everything there they said a girl would need. I could go on all night about the precautions. I used to go and sit in her room and work out what she could do to escape. I thought she might know about electricity, you never know with girls these days, so I always wore rubber heels, I never touched a switch without a good look first.

I got a special incinerator to burn all her rubbish. I knew nothing of hers must ever leave the house. No laundry.

There could always be something. Well, at last I went back up to London to the Cremorne Hotel. It was a very anxious time, but I kept on. I went twice to the coffee-bar. She was getting off a train coming from the north on the other platform. It was easy. I followed her out of the station, and saw her go off towards the College.

The next days I watched the tube station. It was Hampstead. I did the same thing there. I waited for her to come out the next day and she did and I followed her about ten minutes through a lot of little streets to where she lived.

I walked on past the house she went into and found out the number and then at the end of the road the name of it. In the van I had the bed ready and the straps and scarves. I was going to use chloroform, I used it once in the killing-bottle. A chap in Public Analysis let me have it. I drove round the Hampstead district and learnt the A to Z for that part off and how to get quickly away down to Fosters. Everything was ready. So now I could watch and when I saw the chance, do it.

It finally ten days later happened as it sometimes does with butterflies. This night I was outside the tube as usual with the van up a side street. It had been a fine day but close; and it came on to thunder and rain. I was standing in the doorway of a shop opposite the exit, and I saw her come up the steps just as it was teeming.

I saw she had no raincoat, only a jumper. Soon she ran round the corner into the main part of the station. I crossed, there were a mass of people milling about. She was in a telephone box. Then she came out and instead of going up the hill like she usually did she went along another street. Then she suddenly shot up a side road and there was a cinema and she went in.

I saw what it was, she had rung up where she lived to say it was raining hard and she was going in the cinema to wait for it to clear up. I knew it was my chance, unless someone came to meet her. When she had gone in, I went and saw how long the programme lasted. It was two hours. I took a risk, perhaps I wanted to give fate a chance to stop me. I went into a cafe and had my supper. Then I went to my van and parked where I could see the cinema. I mean I felt I was swept on, like down rapids, I might hit something, I might get through.

She came out alone, exactly two hours later, it had stopped raining more or less and it was almost dark, the sky overcast. I watched her go back the usual way up the hill. Then I drove off past her to a place I knew she must pass. It was where the road she lived in curved up away from another one. There was trees and bushes on one side, on the other a whopping big house in big grounds.

I think it was empty. Higher up there were the other houses, all big. The first part of her walk was in bright-lit streets. There was just this one place. I had a special plastic bag sewn in my mac pocket, in which I put some of the chloroform and CTC and the pad so it was soaked and fresh. I kept the flap down, so the smell kept in, then in a second I could get it out when needed. Two old women with umbrellas it began to spot with rain again appeared and came up the road towards me.

There were cars parked everywhere in that district. A minute passed. I got out and opened the back. It was all planned. And then she was near. But there was this wind in the trees. I could see there was no one behind her.

Then she was right beside me, coming up the pavement. Funny, singing to herself. I said, excuse me, do you know anything about dogs? She stopped, surprised. It dashed out. I looked into the back, very worried.

She came towards me, to look in. Just as I hoped. Then she came round the end of the open back door, and I stood back as if to let her see. She bent forward to peer in, I flashed a look down the road, no one, and then I got her. She made a sort of gurgling. I was ready to bolt for it. And then suddenly she went limp, I was holding her up instead of holding her quiet. I got her half into the van, then I jerked open the other door, got in and pulled her after me, then shut the doors quietly to.

I rolled and lifted her on to the bed. I put the gag on first, then I strapped her down, no hurry, no panic, like I planned. Then I scrambled into the driving seat.

It all took not a minute. She was still unconscious, but she was breathing, I could hear her, as if she had catarrh, so I knew she was all right.

Near Redhill I drove off the main road as planned and up a lonely side road and then got in the back to look at her. I laid a torch where it gave a bit of light and I could see. She was awake. She remained staring at me. I said, are you all right, do you want anything, but it sounded silly. I really meant did she want to go outside.

She began to shake her head. I could see she meant the gag was hurting. She nodded, so I undid the scarf. Before I could do anything she reached up as high as she could and sideways and she was sick. It was horrible. I could smell the chloroform and the sick. She just groaned. I suddenly felt we had to get home as quick as possible, so I put the gag on again. She struggled, I heard her say under the cloth, no, no, it was horrible, but I made myself do it because I knew it was for the best in the end.

Then I got into the driving-seat and on we went. We got here just after half past ten. I drove into the garage, went and looked about to make sure nothing had happened in my absence, not that I expected anything. I slept in it one night before to see if there was enough air and there was. It looked very snug and cosy. Well, at last the great moment was come. I went up to the garage and opened the back of the van. Like the rest of the operation it went according to plan. I got the straps off her, made her sit up, her legs and feet still bound of course.

That did the trick. I put her on the bed. It was done. She just stared at me, waiting. I said, this is your room.

What I did was I undid her arms and then immediately went back out; she struggled to get the gag off, but I got the door closed first and the bolts in. I heard her cry, come back! Then again but not loud. Then she tried the door, but not very hard. Then she began to bang on the door with something hard. I think it was the hairbrush. I stayed an hour in the outer cellar, just in case.

Eventually I went up and went to bed. She was my guest at last and that was all I cared about. I lay awake a long time, thinking about things. I felt a bit unsure the van would be traced, but there were hundreds of vans like that, and the only people I really worried about were those two women who passed. Well, I lay there thinking of her below, lying awake too.

Then I went to sleep. After, she was telling me what a bad thing I did and how I ought to try and realize it more. I can only say that evening I was very happy, as I said, and it was more like I had done something very daring, like climbing Everest or doing something in enemy territory.

My feelings were very happy because my intentions were of the best. It was what she never understood. To sum up, that night was the best thing I ever did in my life bar winning the pools in the first place.

I mean it was like something you only do once in a lifetime and even then often not; something you dream about more than you ever expect to see come true, in fact. I went down, locking the cellar door behind me. I had her bag with me which I had searched, of course. There was nothing she could use except a nail-file and a razor-blade cutter which I removed. The light was on, she was standing by the armchair. I said, I hope you slept well. This is monstrous. I thought for a minute she was going to attack me, but she must have seen it was silly.

She gave me a fierce cold look, then she turned away. So nervous. There was a funny pause. Suddenly I saw a way out. She would keep staring at me. Keeping her distance, too. I suppose she thought I would attack her. I tried to think of someone. He was the manager of the Barclays. I knew her father banked there. I saw him several times in there when I was, and talking with Mr.

She looked really amazed, so I went on quick. Suddenly she sat down on the arm of the armchair, like it was all too much for her. Singleton ordered you to kidnap me? Do you remember the girl in Penhurst Road? It was something I invented. My mind was really quick that morning.

So I thought. What happened to her? Except he did it. But he did it, whatever it was. She held the cigarette, very ladylike, between her fingers. The air was stuffy. She took no notice. It was funny. I knew she knew I was lying. Singleton is a sex maniac and he kidnaps girls and you help him? All the time she was staring at me. She had great big clear eyes, very curious, always wanting to find out. Not snoopy, of course. I felt all hot and bothered. What was it—seventy thousand pounds? Or perhaps you just help him for the fun of it?

She stood up with her hands in her skirt pockets. She stared at herself in the mirror metal, of course, not glass for a change.

I expect. She said nothing for a minute. This must be his house in Suffolk. But it sounded feeble. Not like normal people. And that anaesthetic. What was it? Singleton should have told you. She was being sarcastic. I said in a hurry, would you like tea or coffee and she said coffee, if you drink some first, so with that I left her and went out to the outer cellar.

It was funny, she almost smiled. I made the Nescafe and I took it in and she watched me drink some and then she drank some. About how long she had to stay, why I was being so kind to her. In the end I said I was going into the shops and she was to tell me what she wanted.

In reason, I said. Singleton told you to? This is from me. I cooked the lunch in the outer cellar and took it in. But hardly any of it was eaten. For some time she sat smoking, with her eyes shut, as if the sight of me tired her eyes. Singleton is a story. All those clothes in there, all these art books. I added up their cost this afternoon. Forty-three pounds. I told you. You want to do something to me. It was a question.

It shocked me. I shall have all proper respect. I sounded quite curt. Singleton story is not true? She always seemed to get me on the defensive.

In my dreams it was always the other way round. Her hair swept back into the pigtail. Her lovely face. She looked brave. Suddenly I said, I love you. A chap called Nobby in R. Even if you did. You had to play hard to get. When I stopped she was sitting on the bed looking at the carpet.

There was just the whir of the fan in the outer cellar. I felt ashamed. All red. You know that? I understand. Let me go. She was saying, trust me, plain as words. A little smile round her eyes, looking up at me. All eager. We could be friends. I could help you. So I closed the door and left her. No one will understand, they will think I was just after her for the obvious. There was something so nice about her you had to be nice too, you could see she sort of expected it.

I mean having her real made other things seem nasty. I could go abroad. But then I thought of her face and the way her pigtail hung down a bit sideways and twisted and how she stood and walked and her lovely clear eyes.

Anyhow she stopped me when I was going out. I sat down on the chair by the steps down. I should die if you kept me here long. I promise. She got up and stood by the chest of drawers, and stared at me. Clegg, I answered. She gave me a quick sharp look. Uncle Dick used to call me it sometimes, joking. Lord Ferdinand Clegg, Marquis of Bugs, he used to say. Or Ferd. Perhaps I could fall in love with you somewhere else.

All the time she was sitting on the chest of drawers, watching me to see what effect the things she said had. So I was suspicious. I knew it was a test. Not your class.

I hate snobs. She had a way of saying some words very strong, very emphatic. In origin. Be worth going for life, I said. Nobody will ever know about this except us. Not now. I felt like a cruel king, her appealing like she did. I shall think, he had me at his mercy, but he was chivalrous, he behaved like a real gentleman.

I went out so fast I fell over the top step. She got off the drawers and stood looking up at me in the door with a strange expression. Very gently and nicely. It was difficult to resist.

It was like not having a net and catching a specimen you wanted in your first and second fingers I was always very clever at that , coming up slowly behind and you had it, but you had to nip the thorax, and it would be quivering there.

 
 

– The Collector by John Fowles

 
 

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